Ebook Euripides: Medea (Cambridge Translations from Greek Drama)

Ebook Euripides: Medea (Cambridge Translations from Greek Drama)

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Euripides: Medea (Cambridge Translations from Greek Drama)

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Review

"This handsomely produced volume tips the scales as the heavyweight among Euripidean commentaries. It is a major philological achievement, which vastly enhances understanding of the play." Justina Gregory, AJP

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Language Notes

Text: English (translation) Original Language: Greek

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Product details

Series: Cambridge Translations from Greek Drama

Paperback: 114 pages

Publisher: Cambridge University Press; Later Printing edition (May 18, 2000)

Language: English

ISBN-10: 0521644798

ISBN-13: 978-0521644792

Product Dimensions:

5.2 x 0.4 x 7.8 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

182 customer reviews

Amazon Best Sellers Rank:

#539,616 in Books (See Top 100 in Books)

"The Bacchae," along with Sophocles' "Oedipus at Colonus," marks the end of the great age of Greek tragedy. The conventional wisdom about this play--at least since Friedrich Nietzsche--is that here Euripides repented his earlier rationalist debunking of the Olympian pantheon and returned to the simple faith of his ancestors. I have my doubts. "The Bacchae" resembles nothing so much as a cautionary tale of the 1960s counterculture. While Pentheus, with his mental rigidity and fear of change, bears a striking resemblance to the hero of Chinua Achebe's "Things Fall Apart," Dionysus brings to mind such charismatic--and deadly--cult leaders as Charles Manson, David Koresh, and Jim Jones. Interestingly Dionysus' entourage, like the Manson family, is almost exclusively female. The disgusting savagery of Dionysian ritual illustrates the dangers of abandoning reason, logic, and human decency to follow our dark primitive instincts. A modern treatment of the same theme is Thomas Tryon's "Harvest Home." Paul Woodruff provided the highly informative introduction (although I disagree thoroughly with his conclusions) and his translation into vigorous, straightforward contemporary English gives us a glimpse of what a shattering impact "The Bacchae" must have had on its first audience. "The Bacchae" may well be one of the most disturbing creations in the western literary canon.

Even though the circumstances aren't current - citizens running off to the countryside to worship Bacchae - and the drama is not what moderns expect - most of the action takes place offstage, there is something in this play that is moving and still speaks to the human experience - at least it did to me. Perhaps it's simply that the characters are thoroughly invested in what they believe to be right and true - and they are also deluded - and pay heavily, the heaviest possible price. Impossible not to be moved by that fundamental human experience even if circumstances are completely different now.I am not competent to judge the translation, other than it was easy to read. The notes were comprehensive, the opening introduction was very helpful.

I'm working on my degree in Ancient Greek, and I'm translating through the Bacchae in one of my classes right now. I have a really good english translation in a big book of Euripides plays, but I wanted a smaller english copy of just the Bacchae to write in/highlight/carry around while I was working on a paper. I couldn't find on the product page who did this English translation, but I figured it would be fine because I wasn't really using the English for anything but helping me find specific parts more quickly so I could look them up in the greek version.Still, this translation is really not good at all. If you're actually wanting to read the Bacchae, find a different translation that does it at least some justice. I like the translation by Stephen Esposito, or you can read it for free on the Perseus website (they use the T.A. Buckley translation).PROS: it's a lightweight and cheap version, if you just need a referenceCONS: it is NOT true to the Greek and not very artfully done. If you want to read and appreciate the Bacchae, see my suggestions above.

Medea by Euripedes was a play I chose for my 2015 reading challenge. The play, with only 47 pages took about 1/2 hour to read. My first thought was.....doesn't the woman on the cover look like Salma Hayek?The play centers around Medea, a goddess who falls madly in love, emphasis on MADLY, with Jason. She gives up everything for this man. We're talking killing, stealing, betraying her father and home, the whole kitten caboodle. She has 2 sons by him then one day, bang........homeboy hooks up with this younger chick, leaves Medea and the kids and marries this home-wrecker. Say what???? Say it isn't so........ oh, it's so!To put icing on the cake, this home-wrecker's daddy (Creon) banishes her from the land. Allowed to stay one more day she plots her revenge and baby she went for it. Unfortunately her revenge is an act that would cost a lifetime of suffering not only her husband but herself as well.Medea, although a quick read, is very powerful. You will agree with Medea and understand her pain but will hate her for her decisions. Jason is a loser who tries to convince Medea that what he was doing was for a good reason. Let me tell you something, no one (woman) in there right mind would believe it. What's interesting is the mentality of both individuals. Medea was not afraid to show her emotions, whether sadness, fear or anger but Jason remained calmed and had no hatred towards her. She screamed at him, called him names, yet he thought they could still remain friends until the end.With no idea what this play was about or how it would turn out. I'm glad I chose it.

While one oftentimes appreciates the scholar for diligence, just as often the entry of Liddell & Scott provides more than adequate discussion of the vocabulary. E. R. Dodds provides a thorough discussion of the vocabulary and an interesting excursus on Euripides "Bacchae". The benefit of this scholarship is background data re extant manuscript editions to verify he textus receptus. In a few lines, Dodds gives background info on Euripides and the play. The student should always be aware that the scholar could be wrong in his interpretation, however excellent the scholarship. Studying Greek allows the student to read this type of scholarly work and make a meaningful contribution or interpretation of the play.

I read this for the first time years ago. I read it again in preparation for writing the sequel to the Sparrow Princess, which will be told from the main antagonist's viewpoint. To say this is a story about a woman scorned doesn't even come close to describing the intensity of Medea's hate. Although I could clearly see both sides of this conflict, it occurred to me that this tragedy repeats itself over and over again to varying degrees even until today. And like the story illustrates, the children are always the ones who suffer the most.

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Euripides: Medea (Cambridge Translations from Greek Drama) PDF

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Ebook Deadhouse Gates: Malazan Book of the Fallen, Book 2

Ebook Deadhouse Gates: Malazan Book of the Fallen, Book 2

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Deadhouse Gates: Malazan Book of the Fallen, Book 2

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Audible Audiobook

Listening Length: 34 hours and 5 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Brilliance Audio

Audible.com Release Date: February 22, 2013

Whispersync for Voice: Ready

Language: English, English

ASIN: B00BJOGMY4

Amazon Best Sellers Rank:

Here's where the series gets good.Ok, did you read Gardens of the Moon? Did you like it? Then you will like Deadhouse Gates. Erikson's writing is more assured, his characters are better, he has become a more confident skillful writer. He’s also slyly funny. It sneaks up on you because you don’t really expect it in the “grimdark” world he has created. If you didn't like Gardens of the Moon at all, this probably won't change you on the series but if you liked it but found it too confusing or weird, give Deadhouse Gates a try and see if the chain of dogs doesn't bring you on board.Deadhouse Gates takes place after Gardens of the Moon but is not a direct continuation of that story, some of the characters reappear (Fiddler, Kalam) but many are new (Coltaine is an all-time great character, Heboric, Icarium and Mappo Tell and Baudin aren't bad either). DG takes place on the continent of Seven Cities as the Malazan forces are facing revolt and rebellion from the locals know as the Whirlwind and led by a prophet named Sha'ik in the Holy Desert Raraku. There are 3 major plot lines, Felisin Paran (sister of Ganoes Paran from GotM) is sent to a prison mine at the behest of her sister, Kalam and Fiddler, using returning Apsalar to her home as an excuse, plan to kill the Empress and newly promoted Imprerial Fist Coltaine must lead 30,000 refuges across an entire continent steps ahead of a rebellious army. I loved Coltaine's story and kept wanting to get back the to the 7th army and the trail of refugees they wereI also started to understand the scope of the series in this one, the hundreds of years of history, the dozens of races, empires that rose and crumbled, Gods of varying power and ascendancy. I believe Erikson has a plan for all of this, something that’s hard to see in just one book, but when you read the second you can see the threads start to emerge. It’s as though each book is a battle in a war that the characters don’t even know they are in yet, the reader doesn’t even know where the battle lines are drawn, but after reading this one, I trust that Erikson does and I’m onboard to find out, even if he only shows hints of the grander stage here and there through the narrative.

Ummmm......Y DO YOU MAKE ME FEEL SO STUPIDI finished and I would give this more stars but it makes me feel like I'm a fantasy idiot. I'm not, I know that I'm not, I usually can really dig in and understand what is going on in most fantasy. But in this series it is so dense that I read all the words and feel like I'm maybe only picking up a third of what I should be.The world building is immense and Steven Erickson isn't afraid to be brutal and kill everyone in the book you liked. But are they really dead???? Well that is another issue altogether because they could be reborn OR they could have Ascended (become something close to a god) or they are just food for the bloodflies.As the very lovely Miche suggested in the comments I’m going to try and use the Tor.com Malazan reread forum for the next book and see if that cuts down on my confusion for this series as it feels like I need college level credit to read this.What I do like about the series is that in a lot of ways it is different from a lot of the fantasy I read. Usually you have the good guys and the bad guys and it is clear who is who. Even when there are shades of grey for character depth YOU KNOW who to root for. I’m still at a loss as to who should get my vote to win.This book was darker and much more brutal than the last book. Also there is a huge plot line revolving around a military campaign ⇠Not my favorite thing usually. But reading the story of Coltaine and the army he lead that was trying to help get the Malazan refugees to safety was one of the most heart wrenching things I’ve read and made me hate almost everyone else in the Malazan Empire. The way that particular arc played out pretty well tore me up and I really was glad when a few people got just what they deserved and less glad with the others they seemed to take down with them.The other line containing Felisin, Heboric and Bauden was also just as brutal but in different ways. I felt so sorry for Felisin and the struggles that she had to go through and how far from the girl she was she fell. Heboric was intriguing to me, a priest/historian that forsake his god. His musings, insights and journey to discover the power within himself was one to pay close attention to. Bauden ended up being one of my favorite characters and I really hoped for trio to have an everlasting bond. (view spoiler)Kalem’s entire story I liked and his was probably one of the more happy arcs even though it too is riddled with death. I’m glad he met a few new people/things during his journey and I’m hoping we see more of him later in the series too.Sorry/Apsalar was one of my favorite characters in the first book. She is one of the few characters from that to get any page time in this, though through Fiddler’s eyes. She is still quite a mystical force and just this side of creepy sometimes. Still her Journey back towards her home in search of her father was one of my favorites in this book. There was at least some kind of hope in that journey and I was glad to see that she retains some skills from her time under the thumb of Shadow.Mappo and Icarium’s role in the book was interesting. I liked finding little tidbits out about the duo’s journeys and why they have been together for over 200 years basically wandering the desert. They were almost the comic relief of the book and by the end there story was as hopeful as it was heartbreaking and spoke to the depths someone would go for their best friend and companion.Overall I struggled with the darkness and misery of this book. There are some funny moments and such but overall 98%, that might be a slight exaggeration but not by much, of the people I liked ended up dead. Also there are some really horrifically brutal scenes in this book that while poignant to the story they also left a little bit of a sour taste in my mouth. That is probably what was intended but it was just a little too much sometimes.I’m hoping that the next book in the series might have a little happiness in it.

What Erickson does well: Plot, action, world building, conflictWhat could use improvement: CharactersI am in awe of Erickson's complex plot and worldbuilding. I'm not so in awe of his ability to create characters that I, as a reader, can become invested in. He eventually wins me over with his characters in the third book (Memories of Ice), but there are points in this book where I felt that it was a slog to get through, because I just didn't care about the people he was writing about, even though the plot was incredible.If you like epic fantasy - do yourself a favor and get this series. Read it. Just be patient with the storyline and characters. It takes a bit to get rolling.

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PDF Download The Walking Dead, Vol. 10: What We Become, by Robert Kirkman

PDF Download The Walking Dead, Vol. 10: What We Become, by Robert Kirkman

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The Walking Dead, Vol. 10: What We Become, by Robert Kirkman

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Book Details:Format: PaperbackPublication Date: 8/12/2009

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Product details

Series: The Walking Dead (Book 10)

Paperback: 136 pages

Publisher: Image Comics; 10 edition (August 12, 2009)

Language: English

ISBN-10: 1607060752

ISBN-13: 978-1607060758

Product Dimensions:

6.5 x 0.3 x 10.1 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

133 customer reviews

Amazon Best Sellers Rank:

#75,252 in Books (See Top 100 in Books)

I've purchased all volumes up to 22 and the TV show has just about caught up to wear I am in the novels. These books are friggen awesome. I don't read much and my buddy lent me VOL 1 after he knew I liked the show. Well, I burned through the first one and then just went on a tear buying 4 volumes at a time...the price is pretty good for what you get out of these. $9-$15 is the range I've paid per novel, I'm not sure why they aren't the same but anyways, I keep buying them none the less. The story was written before the TV Show and the show follows the story but there is some differences. The written story is more violent and graphic then the tv show but the tv show does a decent job of sticking with main ideas. I've noticed that certain plot things that happen in the book also happen in the show but there is a unique twist like a different character it happens to or something like that. Which makes reading these volumes great cuz I have some idea of where the story is going (after having watched all tv episodes) but there are still surprises. If you like the TV show and haven't read these, give it a try and you will get a whole new experience of the Walking Dead story. I'm putting this same review under every volume I've purchased (1-22) so people can see it. go buy these!

Each volume of The Walking Dead tends to run in one of two separate veins. The ultra violent and the thoughtful. Volume 8 served as both a ending and a beginning of sorts, providing us with a violent shakeup that changed things forever for Rick and the rest of the survivors. Volumes 9 and this Volume, while providing us with some moderate zombie violence, mostly gives us the chance to dig deeper into the characters and what makes them tick. Rick and a character introduced in the previous volume, Abraham, both are coping with all the brutal and ugly things they have been forced to do just to survive. Things that in the eyes of family and friends may be unforgivable or at least something they cannot accept. We get to witness Rick in action when three men decide to assault him and his boy and what vicious things he is willing to do to protect what is left of his family. Though there is tension between him and Abraham, they share their stories and come to understand one another much better-they will do whatever it takes to survive. The world is an ugly place and all the innocence and beauty in people has pretty much died, leaving the ugly behind...an ugly that is brutally necessary.Into this mix steps Morgan, Rick's old friend that was hiding out in their hometown. Its interesting to see how Morgan, who cannot bring himself to kill someone who has turned into a zombie that he cares about, is feared because perhaps he has gone insane with grief while Rick himself is starting to be feared because he has refused to be consumed by his grief but instead has lashed out at anything in the world that would threaten him.

This volume takes place as the group is on the road making its way to Washington, D.C. with a scientist, Eugene Porter, who can apparently end the outbreak. Rick is immediately at odds with Abraham over their methods on how to lead. With Carl in tow, the three travel to Rick's hometown for any supplies left at Rick's police station and come across an old friend in the process. Along the way, Rick finally sees just how far he is willing to go to protect the family he has left.

This volume has a little more subtlety in comparison with the previous volumes. I say that because they're are a few good breathtakers, but not as much as its predecessors. The most important part of this book is a one-on-one conversation between Rick and Abraham. It was really valuable and its something to carry the series further. The only reason why i give it 4/5 is that I didn't receive the almighty cliffhanger that Kirkman usually gives me. I ended up with a lot of questions by the end, and although I am anxious for more, I still wish these things didn't cost so much! (It adds up)I can't say its bad or a letdown primarily because I couldn't stop reading it. The Walking Dead still has it. I have no problem with it sucking me in and manipulating my sleep patterns. While its not the best of the series, its certainly not the worst and not giving sign of worse to come. Its basically another calm that tells us the worst is yet to come.

The Walking Dead is hands down the BEST comic book out! If anybody is not reading this series, they ought to be. Nothing beats it! Not "Shades of Gray", nothing from Oprah's book club.....NOTHING! Robert Kirkman has made this series so good, they had to make it a TV series! If this show came on HBO or Cinemax, it would probably be WAY better but as it is, AMC is a good station to have it on too! As many comics as I have read, nothing comes close to The Walking Dead. I like reading the trade books because I don't have to try to collect each comic book per week/month. I get to read a bunch of stories in one book. I will continue to get more and more trade books of this series because I will never be disappionted!

If you're a nut for zombies like I am, you will greatly appreciate this awesome and absorbing story from Robert Kirkman. Several of the slightly more generic zombie motifs are given new life (undead life, if you will) here in comic form, making a story that could have been the same-old thing interesting. This particular volume is a real money-saver, giving you the whole series through issue 48 (or through volume 8) for a fraction of the cost of individual issues or volumes. Little on the heavier side for toting around, but jam-packed awesomeness for perusal at home. If you like zombies, do yourself a favor and buy this! Hours of zombie-action will follow.

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Free PDF Wolf Hall

Free PDF Wolf Hall

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Wolf Hall

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Audible Audiobook

Listening Length: 24 hours and 14 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Macmillan Audio

Audible.com Release Date: October 21, 2009

Whispersync for Voice: Ready

Language: English, English

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Movies based on books rarely live up to the magic of the book. That’s not a condemnation of movies or the movie industry, but rather a reflection of greatest source of magic of all—man’s imagination. No reality ever lives up to my best fantasies.Normally, I read a book first and then—if a subsequent film production gets rave reviews—I’ll see the movie. Occasionally, the movie will live magnificently up to all my wildest expectations; To Kill a Mockingbird is a good example of movie-from-book perfection. And occasionally, rarely, a movie will surpass the book. I thought The Graduate a mediocre book, but the movie was and always will be a classic portrait of a particular time and place.Which brings us to Wolf Hall. I’m not sure how and why I missed the book. It won a Man-Booker Prize (Great Britain’s equivalent of the Pulitzer, though over there they might say the Pulitzer is America’s equivalent of the Booker) and then author Hilary Mantel turned right around and won another Man-Booker for the sequel to Wolf Hall, Bring Up the Bodies. That is, I believe, the only time Booker prizes have ever been awarded to a novel and then its sequel.Not only had I missed the book(s), but at first, when I saw the trailers on PBS for the film version, I wasn’t all that intrigued. Downton Abbey had just finished its last episode of the season and it was hard to imagine anything equaling that. So, a mini-series based on Henry VIII and his wretched excesses, told from the point of view of Thomas Cromwell, one of the king’s, ah, shall we say, less fastidious enablers… Ho, hum. I’ve read my history; I’ve seen A Man for All Seasons; been there, done that. But a Close Relative By Marriage insisted we watch, and after the first ten minutes you could have set fire to my chair and I wouldn’t have left. That’s how good the production was, and Mark Rylance, the British actor who stars as Thomas Cromwell, gave one of the most compelling performances I have ever seen: quiet, understated, absolutely convincing, and absolutely electrifying. So consider this also a rave review for the PBS series.(By the way, for those of you interested in historical tidbits: any great English house with “abbey” as part of its name, as in Downton Abbey, is so named because when Henry VIII, aided by Thomas Cromwell, took the great monasteries from the Pope, he awarded some of those lands to favored courtiers who retained the appellation “abbey.”)After the second episode I galloped to my desk and ordered copies of both Wolf Hall and Bring Up the Bodies for myself and just everybody I know, and as soon as they arrived, I dove in. Now I know why Hilary Mantel won the Man-Booker twice. She deserves it.In case you’re even more of a troglodyte than I and you’ve never heard of Hilary Mantel or Wolf Hall and Bring Up the Bodies, yes, it’s Henry VIII and all his unfortunate wives and all those men and women who circled around the king and his court like flies around a corpse, but… But how much do you actually know about Thomas Cromwell? Ah. That’s the point. That’s part of Hilary Mantel’s genius: she has taken a famous and influential man about whom little is known and gone to town with him.Thomas Cromwell is one of those mysterious figures in history who beggar the imagination. Acknowledged as arguably the single most influential minister (that’s minister in the political sense, not ecclesiastical) in all of English history, he seems to have sprung fully evolved out of his own imagining and will power. Even the authoritative Encyclopedia Britannica describes his origins and early life as “obscure.” Probably (no one knows for certain) born around 1485; probably (no one knows for certain) born in Putney, at that time a decidedly seedy suburb of London; probably (no one know for certain) born to a man who may have been named Cromwell, but who may have been named Smyth who was probably (no one knows for certain) a blacksmith, but who might have been a brewer or a cloth merchant or all of the above; Thomas Cromwell probably (no one knows for certain) and improbably somehow ended up in Italy early in his life; he probably (no one knows for certain) lived in the Low Countries (think Flanders, Holland, Belgium); and he was probably (no one knows for certain) somehow associated with the London Merchant Adventurers. His early history contains the qualifying words “seems,” “appears,” “might have,” and “probably” almost more than any others.And yet, somehow, out of these inauspicious beginnings, Thomas Cromwell suddenly burst into history in 1520 as a solicitor (that’s “lawyer” to we simple-minded Americans) to the great and immensely powerful Cardinal Wolsey. How did a man from such meager beginnings in such a rigidly stratified society manage to catapult himself into the halls of power and the pages of history?I stumbled across an interview on the internet with Hilary Mantel, and that question is pretty much what compelled her to start her journey. So that’s half the genius.The other half is Mantel’s writing.To quote Rudyard Kipling:“There are nine and sixty ways of constructing tribal lays,And every single one of them is right.”Doubtless very true, and who am I to question as great a writer as Rudyard Kipling? But some methods of construction are righter than others, and Hilary Mantel’s writing is breathtaking.Of all the varied ways of constructing tribal lays, the one that appeals most to me is the kind where a master artist plays with his or her materials. Think Shakespeare. Think Faulkner. Think Cormac McCarthy. Think Hilary Mantel. The English language, so rich and varied, so ripe with multiple subtle meanings, lends itself to a kind of imaginative playfulness, verbal pyrotechnics, if you like, that amaze and delight. She writes in the present tense, third person singular, which lends an urgency to her tale, but she jumps back and forth in time, sometimes in a sentence, sometimes in a paragraph, sometimes in a section, using the mnemonic device of Cromwell’s memories to give us information about him and his past. But it is the oblique grace with which she tells her story that is so delightful. I will give you one example.Bring Up the Bodies, the second volume of what will eventually become Mantel’s trilogy, opens with Thomas Cromwell and Henry VIII out hawking. In Wolf Hall, Cromwell’s daughters have died, but he cannot allow himself the luxury of grief. He lives to serve the king, and as a minister to the king he cannot indulge in such distracting luxuries as grief or rage or love or hate. Whatever he might feel or want must be subsumed in service to the throne. So in “Falcons,” the opening chapter of Bring Up the Bodies, Cromwell and Henry are sitting their horses and watching their falcons, and a lesser, more pedestrian, writer might have opened the book with a paragraph such as:“Cromwell watches his falcons plunging after their prey. He has named the birds after his daughters, and as he and the king watch from horseback, this one, Grace, takes her prey in silence, returning to his fist with only a slight rustling of feathers and a blood-streaked breast…”And so on.Now, consider this, Señorita; consider how Hilary Mantel handles the opening.“His children are falling from the sky. He watches from horseback, acres of England stretching behind him; they drop, gilt-winged, each with a blood-filled gaze. Grace Cromwell hovers in thin air. She is silent when she takes her prey, silent as she glides to his fist. But the sounds she makes then, the rustle of feathers and the creak, the sigh and riffle of pinion, the small cluck-cluck from her throat, these are sounds of recognition, intimate, daughterly, almost disapproving. Her breast is gore-streaked and flesh clings to her claws.”If you don’t like that, you don’t like chocolate cake.

You probably already know the story, about Henry VIII wanting to divorce his first wife and marry Anne Boleyn. Much has been written about how great this book is, and I won't contradict that. The charm of the book, as I see it, is that it is written in (what I suppose is) the sixteenth century way of talking, and it puts you right into the story, because it is as seen through the eyes of the protagonist Thomas Cromwell. This is a selection of a friends' book club, so I am going to finish it and enjoy the discussion. My complaint is that in the interest of maintaining the historical flavor, the writing is almost impenetrable. I have to read sentences and paragraphs twice to figure out who is talking. It is often unclear who "he", "him", and "his" refer to, but in those cases you can usually assume Thomas Cromwell is meant. Lots of period vocabulary, like "chough" "martinmas" etc. (Footnotes would have been welcome, but maybe you are supposed to know or not care.) It helps that there is a list of characters and family tree. On the plus side, the details about life in the sixteenth century provide a lot of flavor. It might help to prepare yourself by reviewing the history of that period before you start the book. My only complaint is the effort required to decipher the text. I wrote the preceding after 100 pages onto the book. I am now adding to my review after another 300 pages read. The story is very interesting, but the writing is almost incomprehensible. This may be only a matter of my personal preference, but I think that a prize winning author should be able to tell a story clearly. I understand that "literary" writing often makes a virtue of obscurity; books like that I don't like. I cannot tell whether Hilary Mantel is evasive, deceptive, dishonest, or simply unable to write simple English. Earlier I said that the list of characters was helpful. Actually it would have been a lot better of the characters were listed alphabetically, so that every time you come across a new name you don;t have to read through the entire list. The family trees, also -- they were OK , but the Boleyn family tree would have been more useful. Within each paragraph, a person is referred to variously by his first name, last name, or title, so you cannot be sure who is saying what, until you have read it a few times. If you want to read this book you should first read the history -- for example, Henry VIII in wikipedia -- and then you will be able to follow the story more easily.Who are the judges who decide the Man Booker prize? I don't respect their judgment. I suspect that they had the same problems that I did but were embarrassed to admit it.

This is a brilliant, stylistic historical novel. Thomas Cromwell is one of the most interesting men in history, and Mantel makes the most of this. Cromwell's wit, his intensity, his striving, his motivations are all compellingly conveyed. It is very hard to put this book down. My favorite device of Mantel's is the use of "He" almost always refers to Cromwell. It makes the flow better and makes us feel like we are in on it. This is a must read for anyone who loves great story-telling and English history. I put off reading it for a while because it was so popular, but it is really good and well worth it.

I found this book on a list of "If you enjoy House of Cards, then try..." This book can appeal to literature snobs, political junkies, and people who enjoy the parts of Game of a Thrones that don't involve magical dragons. Don't give up if you're put off by the second person present tense that creeps up from time to time---this book puts readers in the room at the most shocking turning points in history.

Wolf Hall focuses on the early career of Thomas Cromwell who was to become of one Henry VIII's top officials. Mantel takes great care in creating a plausible and likable character. This is important because as you go on to the second book Bring up the Bodies, Thomas Cromwell is also revealed as efficient hatchet man for Henry VIII.The book is rich in historical details about how people lived, their houses, their social relationships etc. I found this very interesting. As Cromwell prospered, his household expanded but not necessarily with servants but with young men he was training or people he was taking care of.

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Download Ebook , by Leslea Newman

Download Ebook , by Leslea Newman

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File Size: 2804 KB

Print Length: 12 pages

Publisher: Kar-Ben Publishing TM (August 1, 2016)

Publication Date: August 1, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01MSWYQ57

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It's a delightful book for young children. Our grandkids (ages 3) loved it and wanted us to read it again and again and again and again! We must have read it at least 20 times on one day!

Kar-Ben Publishing is introducing Hanukkah to the youngest readers in a new board book. Short bubbly sentences speak to inviting neighbors, ancient blessings, latkes and chocolate gelt. Perfect for small hands and sturdy pages make this a great durable read. Colorful pictures of animals sharing in the holiday celebration are charming and depict the Jewish cultural and holiday.

This is a perfect book for all young readers. It tells what happens during the Hanukkah season and how much fun everyone has. The pictures are bright and colorful which will keep the attention of even the youngest of readers. The words rhyme making it an easy book for those readers who are just learning how to read.This is definitely a book I would recommend to parents for their children.

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Download PDF Etosha Experience, by Anna Louise Marais

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Hardcover: 104 pages

Publisher: Gamsberg Macmillan Publishers (Pty.) Ltd ,Namibia; First Edition edition (May 1995)

Language: English

ISBN-10: 0868489352

ISBN-13: 978-0868489353

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Download PDF Arabian Oasis City: The Transformation of 'Unayzah (Modern Middle East (Paperback)), by Soraya Altorki

Download PDF Arabian Oasis City: The Transformation of 'Unayzah (Modern Middle East (Paperback)), by Soraya Altorki

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Product details

Series: Modern Middle East (Paperback) (Book 15)

Paperback: 284 pages

Publisher: University of Texas Press; First Edition edition (July 1, 1989)

Language: English

ISBN-10: 9780292785182

ISBN-13: 978-0292785182

ASIN: 0292785186

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6 x 0.6 x 9 inches

Shipping Weight: 15.2 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#4,085,441 in Books (See Top 100 in Books)

...was an accolade given to Unayzah in 1924 by a Lebanese writer and advisor to Ibn Saud, Amin Rihani. I heard it in a more expansive sense, no doubt due to inflation, many years later, as the Paris of Arabia. And no less a (Western) authority on Arabia from his travels there in the 19th Century, the curmudgeonly Charles Doughty, said that he spent the "one good day" of his travels in Arabia in Unayzah.This is a very remarkable book, along several different dimensions. First of all, that it was written at all. It is the result of a partnership between a Saudi woman, and an American man, both of whom are sociologists. They had studied and taught at the same universities. Soraya Altorki's family was originally from Unayzah, which was key for obtaining authorization to conduct the study. Still, in a society in particular in which there is much skepticism towards the motives of the inquiring stranger, that permission itself is a remarkable achievement.I had to gulp hard on the first page as the authors began to differentiate between "transformation" and "development" and knew that "modes of productions" and associated jargon could not be far behind. After all, this IS sociology, and the tone of the book is excessively flat and scholarly. But if the reader is willing to adjust to this mode, s/he should be richly rewarded. Because the authors tell a remarkable story, yes, a "transformation" in one city in central Arabia, debunking many common myths like the Arabs always eschewed manual labor. Their reasons for this study is explained in the introduction, and resonated well with me: "...for letting the people tell much of the story in their own words, derives from our reaction to much of the literature that has been published on Saudi Arabia in recent years. Quite a lot has been written about society in Saudi Arabia by foreigners who happened to live there but who were not social scientists. Much of this has been anecdotal at best and often inflammatory and misleading. More serious are the writing of social scientists who have either never been to the country or have only briefly visited some of the main cities."In terms of "telling their own story," I found the stories told by Abu Talib, an 88 year old, on pages 76-80, who traveled throughout much of the Middle East during and after WW I, and Abu Ziyad, on page 175, who had lived in Europe for seven years, and returned to Unayzah for his health particularly well done. Ms. Altorki enabled the stories of the women to also be well told, from their days working in agriculture to their current work as school teachers and their experiences in socializing, via "coffee klatches" and more.The central aspect of the book, a description of the "transformation" of this city from an agricultural base, supported by long-distant traders, where education is admired, to the current (1989) state where the old lines of work and trading disappeared, and government employment was providing, along with new housing, compliments of the "tufrah," the "oil boom," was accomplished admirably. I agree with their assessment on page 120: "changes of such vast proportions in such a short time have probably never occurred in any country during times of peace."There are a few points I wish I could query the authors on: there was no mention of anyone refusing to participate in their study; there was also no skepticism that what they were told was not true, for example, on page 128 they seemed to accept the assertion that the maids "do not play an important part in childrearing." As is now known here in the American Southwest, sometimes the Indians, tired of being "specimen studies," would embroider tales for sociologist's consumption. No doubt the authors would claim that it was "beyond the scope of this study," but a contrast of the outwardly looking and "liberal" Unayzah with insular, and extremely conservative Buraydah, only 20 km away, on the north side of Wadi Al Rimmah, was never done, nor even alluded to. Truly a fascinating subject for a follow-up study. And perhaps understandably, a description of the part that religion played in the lives of the Unayzah's citizens was minimized; thereby avoiding controversy, yet the reader is poorer in his/her understanding. And I felt the authors was overly pessimistic concerning the future, as though they actually had internalized the constant predictions of many of the West that the day of collapse is always 2-3 years away.On a personal note, during the days of the electrification of Qassim province, almost 30 years ago, my wife and I were once shown around Unayzah, its old homes, its date production, et al., by one of the community leaders who beamed pride in Unayzah's history and accomplishments. That evening we ate chicken, and drank "Bebsi" in a "sidewalk café" watching the traffic pass, and pondered the differences between Unayzah's openness and insular Buryadah. And we thought it was better to be in Unayzah than the real Paris. Cole and Altorki have done much to explain what we did not understand at the time.Sadly, this illuminating, solid factual account of those in the very heartland of Islam is currently selling with a rank in the millions at Amazon, whereby the books that promote a fantasy view of this country and religion are always much better sellers. You don't have to be a sociologist to ponder what does this say about ourselves?

The media images of Saudi Arabia concentrate on camels, dunes, huge crowds of pilgrims at Mecca and Madinah, and large installations dedicated to the oil industry. Outsiders see almost nothing of Saudi life (though we hear a lot about women not being able to drive, chopping of heads etc.) Without much tourism, without films that tell about life there, without any Saudi neighbors (I've met one Saudi in my entire life and that was 45 years ago), a book like ARABIAN OASIS CITY can provide a major change in the way you view the country. At the beginning of the twentieth century, the area that would become Saudi Arabia still moved in traditional ways. It had never been much part of the larger empires that rose and fell in the Middle East. The appearance of the kingdom that became known as "Saudi Arabia" (in the 1920s) meant a gradual changing of the society and economy. Up to the 1930s and the beginning of oil production, change proceeded slowly. The two anthropologist-authors here interviewed many people (in the 1980s) who could remember those times very well. Through their memories, plus the straightforward writing of the authors, who do not embellish their text with jargon or footnotes, a picture emerges of a very stable society devoted to agriculture, animal husbandry, and trade. Farmers raised wheat and 30 kinds of dates on land that they owned or leased (some leases ran even to 500 years, surely one for the Guiness Book of Records !) Many craftsmen practised their trades and men drove herds of animals up to Syria or Palestine for sale. Both women and men sold produce and various craft items in the bazaar. Women also worked on farms as laborers. A network of trading/merchant families lived in many parts of the Arab world and even in India, expediting business for the people back home in `Unayzah, the central Saudi city that is the focus of this study. We look at family patterns, levels of indebtedness, and the market as a center of social and political interaction. "For a very long time and until not too long ago, `Unayzah had a complex economic structure and its population had a high degree of occupational specialization. It was a center tied into various networks that operated locally, regionally, and at an international level." (p.81) Having established what once existed, the authors spend the rest of the book telling what happened as Saudi Arabia transformed itself thanks to the flow of oil money that became a flood after the oil price rise of the 1970s. We may say that five major changes occured. They investigate each thoroughly---secular education, new technology and new infrastructure, salaried employment especially in the government, the arrival of a vast, cheap workforce of expatriate laborers, and a cash economy. These affected family life, friendship patterns, male-female relations, daily behavior, expectations of the future, and attitudes towards nearly everything, especially work. The sub-title given to the book, "the transformation of `Unayzah" is thus very accurate. The research was done by a man and a woman working in tandem but separately in accordance with Saudi mores. The result is satisfying if you are looking for a descriptive work on how Saudi society has changed over the years. There is little or no theoretical content, little relating to the vast body of anthropological research that has gone on over the years. Some books err in having too much theory and not enough content. Not this one. The authors make a vague nod in the direction of theory with a discussion of a "rentier" model gleaned from several works, but only in the last ten pages. Frankly, it seems to be tacked on to what othewise is a solid descriptive work. They want to make the point that the present avoidance of manual labor by large parts of the Saudi work force is a function of the economic conditions prevailing since the `boom' of the 1970s and not something that is traditional in any way. I would say in conclusion that this book must be read by anyone who is concerned with Saudi Arabia or the changing societies of the Middle East. And, I think, that should include nearly everyone !

This book reports on a study the 2 authors did in Unayzah, a mid-size city in central Saudi Arabia. The study was particularly well planned in that the authors, an American man and a Saudi woman, were able to combine the views of both outsiders and insiders, men and women into a single seamless whole. Through interviews with local people, the authors present a history of the development of Unayzah from an agricultural and market center before oil wealth to the city it is today. They describe the early transport industry and the work women did in agriculture and the market as well as the longstanding importance of education in this city. They also describe the tremendous changes that have taken place since oil wealth, particularly with the importation of foreign labor and the construction of modern housing in new areas. Early in the book, the authors suggest that they will make a distinction between "transformation" of economy/society and "development". As the book unfolds, they do not focus on arguing for this distinction explicitly, although many facts gradually build to support their case. Descriptions of changes in family life in Unayzah present some interesting comparisons of the pros and cons of abandoning or adapting tradition in favor of "modern" customs. This book is a must for anyone who would like to learn more about modern Saudi society.

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