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Product details
File Size: 19819 KB
Print Length: 184 pages
Simultaneous Device Usage: Unlimited
Publisher: Brynmorgen Press (October 2, 2014)
Publication Date: October 2, 2014
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00O561Z7C
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Amazon Best Sellers Rank:
#153,759 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
This offers everything I look for in a technique book. It works in an orderly progression through every step in this classic metalworking process. Corwin starts with the metals themselves: copper, silver, and gold, of course, including the recent Argentium silver alloy; Japanese alloys (shibuichi and shakudo) and mokume gane; even aluminum, steel and niobium. Next, Corwin talks about pitch and mounting the workpiece in the pitch, the step that creates the support needed for producing fine detail. Hammers, punches (in wood and plastic as well as steel), stamps, stakes and more come next, the tools of this classic trade. Given those elements, Corwin the presents the techniques that combine them into beautiful and useful objects.The far edges of any craft cross over into other, related crafts, and Corwin mentions some of those: raising, die-forming, rolling mill techniques, stone-setting, assembly of multiple pieces into 3-D forms, and more. She even presents the tool-making process in the same detail, everything from the tool steels themselves to forming, polishing, and tempering. Of course, books like this double as galleries of masterworks, and this shows beautiful and inspiring examples on nearly every page, not just in the forty pages dedicated to the artists and their artworks. Even readers who care only about products, not process will find plenty to enjoy here.This book's biggest feature, though, has no easy description. When I came to the end, I thought about how I'd start my first project, mentally going through all the steps. Given only a little background in metalworking basics, this book seemed to cover everything in thorough and friendly manner. I've seen a lot of how-to books in various fields, and just about always come away feeling that some step somewhere remains just a bit mysterious. Not here. This really does seem to be as complete as its title suggests, making it nearly unique among how-to books of all kinds. I can't wait to get started.- wiredweird
This is a lovely book and it was a pleasure to read. I was especially grateful for the information regarding making my own tools, as I have not found this elsewhere in such detail. The only thing I had a problem with (and I refuse to derogate the author with 4 stars for this) is the woeful editing of the publisher. It was "printed in Asia" according to the colophon on the last page. There was a paragraph that was repeated in its entirety, a sentence that trails off into nothingness soon after that, and numerous spelling mistakes. I would guess that because of the repetition of that long paragraph, some text was pushed forward and due to a formatting error, became lost in the copy. These are such glaring errors that it's as if the galley was never proofed at all. If I were the author I would have been enraged by the sloppy printing that was done to my work. It's especially sad when in every other regard the book is beautiful, with clear photos, heavy glossy stock, and a nicely bound hard cover.If you want a competent manual on repousse and chasing, this book fits the bill. Ms. Corwin's style is engaging and straightforward. She does a good job of anticipating the questions that would logically arise and answers them clearly and concisely. As someone entirely new to repousse, I found this book to be well worth the money.
Good introduction to the subject.Some typos and one obvious printing error (repeated paragraph).Lots of pictures. Dare I say, almost too many pictures? What I mean by that is that there are a lot of pictures of artists' finished works throughout the book (including a full chapter and gallery of approximately 40 pages dedicated to such) but the helpful ones are those that show the progression from start to finish and have a description of the process. Don't get me wrong, there are several of those tutorial type sequences in each chapter but I was still left wondering how to accomplish the repousse of a narrower throated bowl by Valentin Yotkov.I would have traded the whole chapter picture gallery for additional coverage/illustration of techniques. Again, that's just me.Great section on tools and how to make them.Overall, a worthwhile purchase.
I received this book yesterday and was thrilled to see the content. I am already quite familiar with foldforming and air chasing and have been utilizing those techniques for several years with my copper work. I received nechamkin chasing tools and a pitch pot w/red german pitch for my birthday last month. Believing I had the necessary tools (intellectually) to just do some intricate repousse and chasing work I was sadly mistaken. What I was attempting to create was very different from what I'd previously created. Ms. Corwin takes the beginner as well as the experience jeweler through all the necessary steps to create lovely pieces. I now just have to take a deep breath and slow down as the process does take time and patience. Namaste.
This book is a pretty great way to get beginning instructions into repousse technique. I found it somewhat lacking in the step-by-step directions for the actual hammering portion and I feel it could use some more tool discussion, but in general, the discussion about what you need to get started and what you can do with chasing and repousse is fantastic.
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